At morn she rises early, as a busy city should That spends the hours of daylight in the game of “Making Good.” Across the misty meadows she watches for the sun, For worlds of work are waiting, and there’s wonders to be done. She takes a bit of breakfast, she dons her gingham frock, Then sits before her keyboard, with her eyes upon the clock; And when the hands point seven, then loud and joyfully She plays her morning anthem on her steam calliope.
From Belleville down to Waverly, from Bloomfield to the Bay, She fills the morn with music as her chimes and sirens play. The piping trebles start the song, the tenors catch her air, The altos add their mellow notes, the brassy bassos blare; Their thousand voices blend at last in one great living chord Of toil and usefulness and peace—a sound to please the Lord! Listen, O music lovers; was ever heard, think ye, A nobler tune than Newark’s on her steam calliope?
Now dawns a mighty era in the tale of her career, Now golden comes the sunrise of a new and glorious year; And, just as in the old days, her morning sirens call, “Up! Rouse you up, my children! There is happiness for all!” Yes, at this New Year’s advent her whistles fill the morn As sound of heralds’ trumpets when a new world-king is born; And the magic of her music shall set the thousands free Who follow to the calling of her steam calliope!
Leonard Harmon Robbins was a contributor to the Newark Evening News, where many of his poems first appeared. The Newarker published this piece in its January 1916 edition, marking the beginning of the 250th anniversary year. It was reprinted in 1917 in The Newark Anniversary Poems.
God of a Thousand Christmas Gifts, For any hatred we have thought And any evil we have taught Or any misery we have wrought, Forgive us, now.
God of a Thousand Christmas Trees, If, thro’ the year, the wrong held sway, And better deeds were cast away, We pray Thee, on thy Holy Day, Forgive us, now.
God of a Thousand Holidays, We humbly ask that we be sent A spirit true to good intent, So Gifts and Goodness may be blent … God of the Yule Tide, reign.
Henry Lang Jenkinson recruited and led a company of black volunteers from Newark in the Spanish-American War. After service in the Philippines he was engaged in various Newark businesses before joining an artist colony near Woodstock, New York, where he had a metalworking studio.
This poem appeared in The Newarker for February 1916.
The lights are out; the rainbow pictures fade; Their magic beauty and their color-flow And rhythmic grace no eye again shall know; ‘Tis ended now, the lovely masquerade, And those who, wondering, looked, and those who played, Back to the busy commonplace they go, To toiling life that moves so dull and slow; And silent darkness cloaks the parkland glade.
The rainbow pictures fade; but still there gleams The rainbow hope to hold us to our dreams; And lowly toil grows beautiful and bright As hearts urge forward to the coming light; And men in lifelong memory will see The vision of the city that shall be.
The 1916 Pageant of Newark was a piece of historical and allegorical theater written by Thomas Wood Stevens and produced, literally, with a cast of thousands. It offered an exuberant vision of Newarkers’ collective future.
This sonnet appeared on the front page of the Newark Evening News of June 3, 1916, the day after the final performance.
Sunset on the hills; with dark below, The wooded slopes. The evening glow Blinds where the river-flood runs wide, Lifts pink and pearl from the other side; And the woods run down to the splendid stain Of the river-brim to live again.
One lone canoe drifts idly by With the sure stroke sweeping back fitfully, Presaging portents dire and black From the tangled reaches of Hackensack.
The slopes stand bare on the darker side Where the clearing spreads, brave, clean and wide, And the timbers pile in close redoubt Near where the home-lights twinkle out.
The new post held, the new vows sworn In the old, old faith—and the town is born.
How the spirit kindles, how greatly goes Thro’ urgent years, the Passaic knows.
1766
A flame thro’ the whole great countryside. The spirit carries as the news runs wide, Unhurried news of wind and tide— A feathered prow passes the wharf’s long bar Where the crowded masts of the shipping are— Of orders coming from oversea, Of imposts levied wrongfully, Of tribute demanded of loyalty.
Lo, patriot, rebel and mutineer; Muster of sloop and privateer; And, deaf to the urge of amity, To the arts and crafts of diplomacy, It is “Tyranny—tyranny—tyranny!”
How the spirit blazes, how greatly goes Thro’ troubled years, the Passaic knows; Grappling the issue with immortal peers, O little town of one hundred years!
1866
The dying roar of artillery. A nation, torn, in her agony; One nation, smiling in her agony.
The long grey lines have all swung south, Worn, proud, unbroken. From river-mouth, From inlet, from roadstead, the boats go by. One flag flies in the freedman’s sky. Blue lines passing, mute and worn have come Home to the peace of the north hills—home.
The shipping crowds the lower bay. New duties call—the greater play Of Love’s great heart of forgivingness; Wrongs that Right must needs redress; And civic growth and righteousness.
How the spirit carries, how greatly go The earnest years, we and the Passaic know; Scanning the stars, blood of elder seers, O city of two hundred years!
1916
Sheeted gas flaring down the hard-fought field, Gouts of white lead, tuns of bursting steel, Chaos of shells. The thunders sound Fainter thro’ caverns deep underground Where the trenches hold. Time’s conquests fall, Smashed back and back with each interval. It is hell gone mad; nor shift of grace Rallies the hurt cry of helplessness.
Merciful seas cool the hurts that drown; Unarmed non-combatants homeward bound, Liner and transport going down.
And For wanton display of efficiency, For craven insistence of urgency, There is “Butchery!” “Butchery!” “Butchery!”
World-thunders threaten down untrod ways, Banners are flying thro’ anxious days. How the years shall carry the spirit’s spell Down abysmal years, the years will tell.
O city of visions memorial, Back thro’ the years, perennial, Or dark or light— How the common tongue Swung glib the name of Washington, Knew Talleyrand, spoke LaFayette; Cornwallis spits anathema yet!
The nation born, the common mass Knew royalty, saw statesmen pass; Guessed trouble brewed, applauded France, Appraised the heir of circumstance.
Now the nation grown past her infancy, Argued of party, of polity; Or suspicion scotched into bitter hate— Delinquency made desperate— Answered Lincoln and measured Lee Where Gettysburg grappled with destiny.
You, too, have seen in a larger dawn A world-empire wheel up San Juan, Break into foam as the seas spurt red Were it Sampson or Schley or Dewey led. Now world-thunders threaten down untrod ways, Banners are flying thro’ anxious days.
City of visions memorial, Back thro’ the years perennial; You who have heard with your ships at sea, The rattle and roar of artillery; Who have heard in the thunders, north or south, Your heroes named by the cannon’s mouth; Name now your glorious company, And name the glorious company That Peace has linked with liberty.
City of visions! What dreams shall glow, Shall live, the Passaic may not know Where just beyond, the future dips To the nations’ dream-apocalypse, O city of vision, whose spirit steers Thro’ fifty and two hundred years!
Elizabeth Sewell Hill was a Chicago-based educator. While it is probable that “Newark” was written for the poetry competition held in 1916, any impression it made on the judges is not recorded.
Hill included the piece in her 1917 collection Western Waters, and Other Poems.
Minnie Reynolds was a journalist and executive secretary of the Women’s Political Union of New Jersey. From the WPU’s Newark headquarters she organized rallies and meetings in factories and neighborhoods, in advance of an October 1915 statewide referendum on the question of extending voting rights to women. New Jersey was one of four states that rejected women’s suffrage that year.
Reynolds’s “Newark” was a prizewinning entry in the 1916 poetry contest held for the city’s 250th anniversary.
Now every day in Newark Is a whooptedooden day. And every soul in Newark Seems to rather like that way, For it keeps the circulation Circulating, and the blood, Mixing with the clay of humans, Makes a living, lusty mud, Which is bound to be so fertile That for years and years to come The growth of coming Newark Puts all rivals on the bum, And the Newark of the future Is going to be so great That New Jersey of the future Will be changed to Newark State.
Newark’s Feigenspan brewery advertised on buildings and billboards across the state and the region, branding its wares “P. O. N.” for “Pride of Newark.” Giant illuminated letters shone from its buildings in the Ironbound even while the plant was shuttered during Prohibition, taken later as proof “that hope burned eternal in the brewer’s breast.” (New Jersey. A guide to its present and past)
Colonel Bill Lampton’s lines appeared in the June 1916 issue of The Newarker, and were reprinted the following year in The Newark Anniversary Poems.
Come, citizens of Newark, proud, Of low or high degrees, Unite in story, song and ode, Float banners on the breeze, Awake the harp and raise the voice To laud our city’s praise, For Newark Day is here to stay Among our festal days.
Our fathers’ spirits shall behold Their work was not in vain; What sires once planned the sons have done Upon Passaic’s plain. By earnest toil, upon our soil, As passing years have flown, The walls of temple, mart and home Have risen stone on stone.
Europa sent her stalwart sons From English moor and town, From German vineyard, Flemish farm, Or Scottish heather brown, From Polish plain and Irish bog And sunny Roman land, To build anew their hearths and homes Along Passaic’s strand.
And these with those New England men Who first sought here a home, Have labored side by side in peace; For under heaven’s dome No dearer place for them, they felt, Could anywhere be found, And love of country, love of home, They learned in tilling ground.
Soon Industry and Thrift came here To crown our fathers’ toil; Their wants were few, but well supplied From Jersey’s fertile soil. Their gratitude to God they gave In formal psalm and prayer, Believing He alone could bless Their labor and their care.
What mean these massive walls of brick That look like castles old? No place of idol state are they, No keep for hoarding gold; But busy factories of trade, Where lathe and loom and wheel Are busy servants, helping man Promote the common weal.
What wonder if our fathers erred In many things they did? How could they know our present needs Which Time from them had hid? For them Passaic’s lordly flow Brought blessings from the hills, And on his heaving bosom came No stain from town or mills.
O citizens, awake and claim That river for your own, Its stream and banks a legacy Of fabled worth has grown. Your buildings for the public use, And every park and square, These are the jewels you must prize And make your daily care.
Then, long live Newark, proud and great, The home of industry, Create new beauties for her own In stone and spreading tree. Let all her people join the song In one triumphant strain, And praise the town with heart and voice In loving, glad acclaim.
In 1910 the Board of Education proclaimed the first “Newark Day” and in 1911, with money contributed by Newark pupils, the Schoolmen’s Club began to place a series of bronze tablets honoring figures and features of the city’s distant or recent past. Plaques were dedicated on Newark Day, the first Monday of November, over the course of the next eighteen years.
Martin L. Cox, principal of Thirteenth Avenue School, composed these verses for his students’ Newark Day observance in 1916, the city’s two hundred fiftieth anniversary year. The Newark Star printed the poem on October 26, “so as to bring it before the other school children of Newark, in order to instill civic pride in their hearts.”
I dreamed a dream the other night That left all others “out of sight;” Around the Kinney building surged A mob of wild-eyed men, who verged On panic, if a panic grow From masses struggling to and fro.
The mob was decorous if wild, As cultured gentlemen, beguiled By visions of good things, though faint, Would keep their hunger in restraint, Although, when appetites are keen, And limbs are shrunk, and ribs are lean, A well-filled board, in time of need, Will tempt an anchorite to feed.
These men, who thus besieged the Kinney, (All far from fat, and mostly skinny), Though eager as a hound in leash, Were strangely reticent of speech. With well-groomed men they would not pass For fashion-plates, for they, alas! Were chiefly garbed in sombre black, Of cut and style a decade back; Their “pants” (those of a later pattern) Shone like the sun (the parts they sat on), While rusty coats and hats betrayed The pinching of the wearers’ trade.
One thing I’ll say, and oft repeat, These men, in dress so incomplete, For classic nobs could not be beat Within a league of Market Street. Though seedy most, yet here and there Was one who looked quite debonair; “O-ho!” I cried to one of these, Who sauntered ’round, quite at his ease; “Pray tell me,” (for my sense grew hazy) “Have all these gentlemen gone crazy?”
“O, no,” he said: “Each one’s a poet; (Though all their verses do not show it.) They’re here because a dozen prizes In brand-new bills of different sizes, —One thousand plunks in all, I hear, Though it does sound a little queer— Are offered to the poets who Can put in odes the best review Of Newark’s glorious career For this, her Anniversary year. There’ll be a ton of rhymes, at least, For gods and men a bounteous feast.”
“One thousand—what!” I shouted: “Whew! You’re guying me; it can’t be true! How can some humble poets hope To get away with so much dope?”
He said (and confidential grew): “It is the truth I’m telling you; But bards are few of either sex Who ever see a double X. Do’st know why poets fare so ill, While plodding tradesmen get their fill?”
I answered: “No; tell me.” He said: “’Tis competition with the dead. The heroes of the shop and plow Have only rivals living now To test their wits, while every man Who wrote in verse since time began, Is just as much alive to-day As when he turned his toes up (say) Some forty centuries away! You surely know it is not so, sir, With your shoemaker and your grocer! Had Homer dealt in ducks and geese, His fame long since had found surcease. Could eggs of Virgil’s day compete With fresh-laid eggs on Commerce Street? Yet fresh-laid poets of today Find ancient bards blockade their way!”
Just then the crowd thinned out; a few Received their checks; the rest withdrew To brush their threadbare coats anew.
A sunbeam through my window broke And touched my eyes, and I awoke.
The Newark poetry competition of 1916 awarded prizes to only thirteen of the more than 900 poems submitted. The governing Committee of One Hundred did not, in fact, distribute checks outside its Kinney Building headquarters, but mailed them to the (female, as well as male) winning contributors.
“The Bard’s Complaint” appeared in The Newarker of September-October 1916.
In this glorious land of peace and plenty, There are cities rich in fame. But o’er all this land there is none so grand As this “Wonder City” I shall name. There they make almost all things you can mention, Over all this world its products you will meet; In the Garden State it’s that city great, That was founded by Robert Treat.
2
How we all love the sight of Military Or a stroll through Branch Brook Park, How we love to gaze at the bright light’s rays Such as Broad and Market after dark. We are proud of the statue of Abe Lincoln As he sits upon his throne in Court House Square. They all sing our toast clear from coast to coast For they all know that Newark’s there.
CHORUS
Newark you’re a city of perfection, Newark for you thousands hold affection. Good folks are a-journeying, they come from far and wide, Come to celebrate the year to which we point with pride, For twelve score years and ten you’ve led them all, To you they bow: Newark you’re the pride of this great nation, Others look at you in admiration, Even New York with its millions is jealously awed, Admits she hasn’t any traffic like Market and Broad. This world watches ev’ry thing you do Because you’ve shown that Newark knows how.
J. Fred Smith published his “Souvenir Song of Newark’s 250th Anniversary Celebration,” with music by Louise M. Robrecht and arrangement by J. S. Glickman, in April 1916.
Hail, Newark! Hail! Two hundred years plus fifty Is to you but growing time! And you have grown!!! How you have grown Is wonderfully shown In what you are to-day, Not counting what you may Become if but a mite Of all your promised greatness Is fulfilled As it is billed To do For you! Hail, Newark! Hail!
New Jersey’s biggest and her best, Her fairest and her liveliest, Like wine and women, You improve with age, And all the ways and means Of velvet and of jeans, Of brain and brawn engage To make you greater still, Until, Beyond the pale Of earthly progress, On the spirit gale Is borne the glory cheer: Hail, Newark! Hail!!!!
Captain Jinks of the Horse Marines (shown above), a life-sized painted wood figure attributed to Thomas J. White, entered the collections of the Newark Museum in 1924. For decades it stood outside the Jabez Fearey cigar store on Market Street.
“Colonel Bill” Lampton (“Colonel” was an honorary title bestowed by the governor of Kentucky) published light pieces and satirical verses in various newspapers and magazines. During the 250th anniversary year his contributions graced the pages of The Newarker, whose February 1916 edition featured this bit of “humoresque versification.”
